Creative development

Why Play is a Serious Business

Playtime 101 for textile artists and other makers.

Louise Etheridge

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Photo by Team Fredi on Unsplash

The joy of being a textile artist is that there are so many creative paths to choose from.

The problem of being a textile artist is that there are so many creative paths to choose from.

No, you don’t have déja vu.

You’re excited by the boundless possibilities of building (or finding!) your creative voice through the power of stitch. But maybe it’s the thought of those boundless possibilities that overwhelms you, and stops you starting.

The landscape of textile art seems horizonless. Everywhere you look — every Pinterest board, every TextileArtist.org article, every artist you admire — you see techniques, colours and styles to try, decisions to make, and stories to tell.

But where is your way in? How can you find where you belong? What’s your creative home?

The answer lies in something that children, puppies and fearless artists do every day.

They play.

An embroidery depicting two children hugging.
Textile art: Dominique Buysschaert. Image: www.textileartist.org

Play: not just for children

In our grown-up world where righteous productivity seems like a moral imperative, play can be seen as a frivolous waste of time. If we’re not busy doing something ‘useful’, then we’re not doing life right.

But at the heart of every successful creative endeavour lies playtime.

How do you think serious artists got serious? They played. They mucked about. They discovered their creative voice by singing many, many different songs until their unique song found them.

Playtime allows you to jump in anywhere and everywhere. Play is the key to finding your own voice. Your song is out there somewhere, among the brights and shadows of fiber, yarn and story, hidden amongst technique and process.

When you play, you get closer to capturing your artistic self.

The ability to play, fearlessly and fantastically, is a fundamental skill upon which so many other creative skills are based.

When you play, it’s almost impossible not to explore, develop and grow as an artist. It’s part of every stitcher’s journey: the ‘anything goes’ yang to the yin of focussed practice. Play helps you to:

  • Develop a powerful habit of creative practice. As you become involved and intrigued with what you’re up to, it stops being play and starts being practice (although perhaps you won’t feel the difference).
  • Empower your creativity through limitations — of time, of materials, of technique. Play helps you realise that you don’t need a studio to create.
  • Discover areas of practice to study, pare down, hone and develop.

Play is what artists do. It’s a practice, and it’s a state of mind.

An embroidery sampler in purple, cream and orange.
Textile art: Shirley Hatton. Image: www.textileartist.org

Why artists play

Playing strengthens your artistic muscles. It’s your way in to building a regular creative practice, but without the angst. It’s a practical method of discovering what you like to do — and what you don’t.

When you play, you’re taking your curiosity out for a happy tail-waggy walk and leaving your judgement doing the dishes at home.

When you’re focusing on the adventure, you’re discovering what inspires and delights you. And what you will never, ever try again, no matter how much they pay you.

Your unique creative vision crystallises into clarity, and so, too, does the path to make that vision a reality.

Play helps you understand yourself, and to value the artist that you’re becoming.

It sounds so simple. Yet why is it so hard to set your stash free and start to play?

An embroidery and print collage in grey and white
Textile art: Erin Klein. Image: www.textileartist.org

Can’t play, won’t play.

Perhaps you think play is for other people.

Nope.

It’s for you.

Especially you.

Do any of these sound familiar?

1. There’s no time to play

Too much on? Here’s a message for you:

Life is wiggly.

Life takes off in different directions. Stuff happens. So when life throws everything at you (and then some), it’s time to play.

UK-based textile artist Sue Stone lost her beloved dad, brother-in-law and livelihood in the space of a few months. Things became pretty dark emotionally, but she found some light by starting to play with stitch.

Making the time to play gives you a shortcut to reaching your creative goals. Play is your creative practice. Find ten minutes. Find five. You’re five minutes nearer discovering your unique voice.

2. Play is self-indulgence

Play isn’t self-indulgence. It’s self-care. Play helps you focus. It’s meditative. It’s calming. And if you want to get sciency, it releases a ton of neurotransmitters that will improve your memory, creativity, and problem-solving abilities.

When the stresses are on, it’s even more important for you to play. And in these scary, soul-wearying times, don’t you think we could all use a little more self-care?

3. Play is all over the place. You have to stick with one thing.

Maybe there’s a parent’s or teacher’s voice still ringing in your head:

“You’ll never be good at anything if you don’t stick at it.”

“If you start something, you have to finish it.”

Newsflash. They’re wrong.

Perhaps you grew up in a culture where it was seen as weak or flighty to try different things, to job-hop, to have-a-go, to taste all the flavours of life.

Wrong again.

Playtime means trying different things out. It means experimenting with techniques, methods, processes and practices.

It means using that weird luminous yarn with that crazy tie-dye remnant that’s been eyeing you up from your Cupboard of Abundance (yes, let’s rename that cupboard overflowing with untouched stuff that you’ve always thought of as your Cupboard of Shame).

It means crocheting your response to Black Lives Matter. And more.

Playing means doing your best impression of a magpie. This doesn’t mean standing on your roof at five in the morning shouting at squirrels (although if it helps your process, go for it). It means:

  • Being attracted to sparkly, interesting things. If it looks fun, do it.
  • Picking up different techniques, and dropping them again. Nothing is untouchable and nothing is too holy to discard.
  • Mixing and matching techniques.
  • Getting together with your magpie friends to try stuff out. Playtime doesn’t have to be solitary.

There’s a reason why art schools encourage students to try a lot of techniques before they specialise. It’s a great way-in for those students to discover what they want to say.

If you can’t shake off the “focus on one thing” mantra, it’s not a problem. Focus on one thing, but let that one thing be playtime.

If it’s worth doing, it’s worth doing well

Perhaps you think that the product of your playtime has to be something perfect, artistic, meaningful and beautiful. But doesn’t that raise the bar too high? And there’s our old friend, the inner critic, waiting on that bar to knock us off.

Think, rather, of the product of play not as the object you create, but as the learning you achieve. Now the process of play is the product, and it is perfect, artistic and beautiful.

Nothing halts creativity like the fear of making a mistake. But when you can’t get it wrong, doesn’t that open up a world of amazing possibilities?

Creative play invites a mindset that’s free, non-judgemental and open. Playing means making bigger and better mistakes, fantastic failures and delightful disasters.

You’re exposed to new ideas and new skills. You gain confidence. When you’ve tried all the things, you gain understanding about what you want to explore more deeply.

An embroidery of a fierce-looking fish in blue and green
Textile art: Dominique Buysschaert. Image: www.textileartist.org

Getting started

Ready to play? Here’s where to start. You’ll need a playful mindset, some simple boundaries and maybe a few ideas to get you going.

Getting ready to play

First off, give yourself permission to play.

You know it’s important. You know that, to develop as an artist, you need to play. Now you know that it’s part of a creative toolbox, you can give yourself that psychological safety to play. Give yourself permission to make a mess. It’s learning.

Second, take yourself lightly. You’re not exhibiting (yet).

Third, create for yourself an oasis of time and space to play. You need boundaries.

Creativity is the golden thread that links the worlds of art, design, literature, comedy and anything else that uplifts and soothes the human spirit. And this means what works for the great writers, artists, and comedians works for you: finding that space and time to experiment.

Find your space to play, inside or outside, away from the demands of life, where you’ll be undisturbed. If you live with people and pets, train them to respect your playtime.

Treat the isolation of play like the isolation of running. If you go for a run, your family doesn’t come running after you. The same should be true of playtime. (Unless, of course, creative play becomes a family thing).

Although the play mindset is open, it can be useful to limit play time. Comedian John Cleese recommends ninety minutes to start with, to give yourself time for normal life to dissolve away before your focus narrows on to the possibilities of what’s in front of you.

Get the creative ball rolling

You’ve found your oasis of time and space. Now what?

Playtime ideas:

  1. Reconnect with your materials. Go through your fabrics. Touch them. Arrange them. Order your yarn by colour or weight. Soon, something will start whispering “play with me” at you. Perhaps that open-weave hessian that’s begging for some folk art embroidery. Maybe those vibrant fabric inks would like to splash around on that pristine white cotton.
  2. Limit your choices. Too much choice can be stifling. Narrow your boundaries. Give yourself rules. Pick one yarn, one fabric and one technique. Make a bird. Or a bat. Or a bat-bird.
  3. Nothing in your stash? Create textile art from non-textile materials. Work with what you have.
  4. Make a portrait of yourself running in running stitch.
  5. Soak your brain with ideas with a guilt-free browse on Pinterest or in online art galleries. Create your own Pinterest board to curate your inspirations. Research can be playtime, too.
  6. When it’s safe to do so, schedule a weekly Artist’s Date, Julia Cameron’s famous prescription for filling your well of creativity with inspiration: a bookshop, a craft store, a flea market, a charity shop, a gallery, anything that excites you.
  7. Find a stitching tribe to play with. Sometimes, when you’re on your own, your practice may feel too weighty and serious. When we see people just like ourselves having fun with their practice — and that it’s ok to end up with weird and wonky creations — we feel supported and inspired.

If you take play seriously and make regular play dates with yourself, before you know it, you’ll have developed a resilient habit of creative practice that will skyrocket your confidence and help you find your unique artistic voice.

How do you make time and space for play?

Louise’s Buy Me A Coffee button.
Congratulations on getting this far down the page! You have laser focus. Thank you for taking the time to read my article. I really appreciate it.

Originally published at https://www.textileartist.org on September 13, 2020.

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Louise Etheridge

Professional procrastinator, amateur human, hopefully helpful. Writer, stand-up poet and rude lyricist. That kind of thing. Also, guinea pigs.